ENG 381: Whose Paradise? Claimed and Reclaimed Hawai'i in Literature and Film

From the arrival of the New England missionaries in 1820, who came to Christianize the local heathens, to the coup d’état led by the missionaries’ sons in 1893, overthrowing the Hawaiian queen, the events leading up to American annexation feature a cast of beguiling, if often appalling or tragic, characters. Whalers who fire cannons at the Bible-thumpers denying them their god-given right to whores; an incestuous princess pulled between her new god and her brother-husband; sugar barons, con men, Theodore Roosevelt, and the last Hawaiian queen, a songwriter whose sentimental ode “Aloha ‘Oe” serenaded the first Hawaiian-born president of the United States during his 2009 inaugural parade.

Mark Twain's Hawaiian adventures. Includes observations on travel & Hawaiian social life & customs. Originally written for the Sacramento Union

The Colony reveals the history of the infamous American leprosy colony on Molokai and of the extraordinary people who struggled to survive under the most horrific circumstances. In 1866, twelve men and women and one small child were forced aboard a leaky schooner and cast away to a natural prison on the Hawaiian island of Molokai. Two weeks later, a dozen others were exiled, and then forty more, and then a hundred more. Tracked by bounty hunters and torn screaming from their families, the luckless were loaded into shipboard cattle stalls and abandoned in a lawless place where brutality held sway. Many did not have leprosy, and most of those who did were not contagious, yet all were caught in a shared nightmare.

The Voices of Women is a world of picture brides, arranged marriages, oppressive labor conditions, abuse, filial duties, and the loss of family. Amidst all this, there was also a world of love and courtship, mutual aid societies, communal bread ovens, midwives, and willing sacrifice to educate children

Wrapped within Unwritten Literature is a bounty of life experiences, from amorous indulgences of the singing psalmists, including genealogies, reasons for exalting the chiefs, lessons of living in this land, descriptions of the characteristics and uses of flora and fauna, relationships of the living and the dead, and births and deaths of creatures of the earth.

A little over a century ago, bubonic plague arrived on the shores of Hawaii just as the islands were about to become a U.S. territory. In this absorbing narrative, James Mohr tells the story of that fearful visitation and its fiery climax--a vast conflagration that engulfed Honolulu's Chinatown. Mohr tells this gripping tale largely through the eyes of the people caught up in the disaster, from members of the white elite to Chinese doctors, Japanese businessmen, and Hawaiian reporters.

A study of American anti-imperialist sentiment, focusing on the opposition to Hawaiian annexation, a movement within the U.S. that preceded the anti-imperialism movement after the Spanish American War. The author asserts that commercial reasons were stronger than military reasons in tipping the scales in favor of making Hawaii a U.S. Territory.

Hi'i is proud to be a Naupaka, a family renowned for its contributions to hula and her hometown of Hilo, Hawaii, but there's a lot she doesn't understand. She's never met her legendary grandmother and her mother has never revealed the identity of her father. Worse, unspoken divides within her tight-knit community have started to grow, creating fractures whose origins are somehow entangled with her own family history.

Writer Jack London lived a life that paralleled the amazing exploits of the action-adventure heroes in his novels. The Cruise of the Snark is an engaging travelogue that details a South Pacific sea voyage that London took in 1907 in a vessel known as the Snark.

Focusing on important cultural questions pertaining to race, nationhood, and war, Konzett offers a unique view of Hollywood film history produced about the national periphery for mainland U.S. audiences. Hollywood's Hawaii presents a history of cinema that examines Hawaii and the Pacific and its representations in film in the context of colonialism, war, Orientalism, occupation, military buildup, and entertainment.

This groundbreaking study of a little-explored branch of American literature both chronicles and reinterprets the variety of patterns found within Hawaii's pastoral and heroic literary traditions, and is unprecedented in its scope and theme. As a literary history, it covers two centuries of Hawaii's culture since the arrival of Captain James Cookin 1778. Its approach is multicultural, representing the spectrum of native Hawaiian, colonial, tourist, and polyethnic local literatures. Explicit historical, social, political, and linguistic context of Hawaii, as well as literary theory, inform Stephen Sumida's analyses and explications of texts, which in turn reinterpret the nonfictional contexts themselves. These “texts” include poems, song lyrics, novels and short fiction, drama and oral traditions that epitomize cultural milieus and sensibilities.

Beginning in the era of Manifest Destiny, U.S. settlers, writers, politicians, and boosters worked to bind California and Hawai‘i together in the American imagination, emphasizing white settlement and capitalist enterprise. In California and Hawai‘i Bound Henry Knight Lozano explores how these settlers and boosters promoted and imagined California and Hawai‘i as connected places and sites for U.S. settler colonialism, and how this relationship reveals the fraught constructions of an Americanized Pacific West from the 1840s to the 1950s.

The Rights of My People revisits Liliuokalani's first battle for Hawaii - the 1893 coup d?etat and annexation in 1898 - through a new perspective: The harsh remnants of the Civil War, the missionary?s disquieting view of race, and the emerging role of Hawaiian women. Explored for the first time is the second battle - the fate of the Crown lands, a quarter of the Hawaii islands, taken illegally in the 1893 coup d'état and contested aggressively by Liliuokalani through 1910.

Contains the stories The House of Pride; Koolau the Leper; Good-bye, Jack; Aloha Oe; Chun Ah Chun; and The Sheriff of Kona

In 1893, Liliuokalani, the Queen of Hawaii, was deposed and five years later her nation became an incorporated territory of the United States. Published shortly after these momentous events, her book Hawaii's Story by Hawaii's Queen is an incredibly personal history of the islands that she was born to rule. Liliuokalani covers from her birth in 1838 through the reigns of her forebears to her own turbulent time as Queen of the Hawaiian Islands. Written to explain to the world the injustice of her situation and to reclaim the sovereignty which she had lost, the Chicago Daily Tribune claimed that "no scholar or lawyer could have state[d] it more effectively." But despite her persuasive prose Hawaii never again regained its independence or its monarchy.

The powerful debut novel from Alan Brennert, Moloka'i tells the story of Rachel Kalama, a seven-year-old Hawaiian girl who contracts leprosy and is quarantined on the island of Moloka'i during the 1890s. Separated from her family and forced to grow up in the leper colony of Kalaupapa, Rachel experiences intense isolation. But she remains strong, finding moments of joy, and even love. Rich in Hawaiian history, this novel proves itself a stellar piece of historical fiction.

With an understanding of tradition that foregrounds history and change, Bacchilega examines how, following the 1898 annexation of Hawai'i by the United States, the publication of Hawaiian legends in English delegitimized indigenous narratives and traditions and at the same time constructed them as representative of Hawaiian culture. Hawaiian mo'olelo were translated in popular and scholarly English-language publications to market a new cultural product: a space constructed primarily for Euro-Americans as something simultaneously exotic and primitive and beautiful and welcoming. To analyze this representation of Hawaiian traditions, place, and genre, Bacchilega focuses on translation across languages, cultures, and media; on photography, as the technology that contributed to the visual formation of a westernized image of Hawai'i; and on tourism as determining postannexation economic and ideological machinery.

Colonialism in Hawaiʻi began with epidemiological incursions, and Archer argues that health remained the national crisis of the islands for more than a century. Introduced diseases resulted in reduced life spans, rising infertility and infant mortality, and persistent poor health for generations of Islanders, leaving a deep imprint on Hawaiian culture and national consciousness. Scholars have noted the role of epidemics in the depopulation of Hawaiʻi and broader Oceania, yet few have considered the interplay between colonialism, health, and culture - including Native religion, medicine, and gender. This study emphasizes Islanders'own ideas about, and responses to, health challenges on the local level.

She documented America before and after the Civil War and was deported from Korea with only the tweed suit she stood up in during a Japanese invasion. In China she was attacked with rocks and sticks and called a foreign dog, but she never gave up and went home.'The prospect of the unknown has its charms.'Transformed by distant lands, she crossed raging floods, rode elephants, cows and yak, clung to her horse's neck as it clambered down cliff paths, slept on simple mats on the bare ground, unable to change out of wet clothes or get out of the searing heat. Her travels and the books she wrote about them show courage and tenacity, fueled by a restless spirit and a love of nature.

Waterman is the first comprehensive biography of Duke Kahanamoku (1890-1968): swimmer, surfer, Olympic gold medalist, Hawaiian icon, waterman. Long before Michael Phelps and Mark Spitz made their splashes in the pool, Kahanamoku emerged from the backwaters of Waikiki to become America's first superstar Olympic swimmer. The original "human fish" set dozens of world records and topped the world rankings for more than a decade; his rivalry with Johnny Weissmuller transformed competitive swimming from an insignificant sideshow into a headliner event. Kahanamoku used his Olympic renown to introduce the sport of "surf-riding," an activity unknown beyond the Hawaiian Islands, to the world. Standing proudly on his traditional wooden longboard, he spread surfing from Australia to the Hollywood crowd in California to New Jersey. No American athlete has influenced two sports as profoundly as Kahanamoku did, and yet he remains an enigmatic and underappreciated figure: a dark-skinned Pacific Islander who encountered and overcame racism and ignorance.

Julia H. Lee weaves together scholarly assessments, interviews, biographical information, and her own critical analysis to provide a complete and complex picture of Kingston's works and its impact on memoir, feminist fiction, Asian American literature, and postmodern literature.Lee examines the influence that previous generations of Asian American authors, feminism, and antiwar activism have had on Kingston's work. Offering important contextual information about Kingston's life, Lee shows how it has so often served as a starting point for Kingston's writing