Navigating Resources in 19th Century Art

Neoclassical Art

Romanticism

Pre-Raphaelites

Realism

Impressionism

Post-Impressionism

Featured Books and eBooks about Neoclassical Art

• David by Francoise Guiramand (Translator); Simon Lee A participant in and chronicler of the French Revolution, Jacques-Louis David (1748-1825) also witnessed the rise of Napoleon, painting a series of works glorifying his reign. Simon Lee's book is the first to deal with all aspects of David's career and character and to trace his changing relationships with patrons. This is a fresh analysis with an abundance of new insight.

  Call Number: ND553.D25 S57 1999

  ISBN: 0714838047

  Publication Date: 1999-03-08
• Elisabeth Vigee le Brun by Gita May The story of Marie Antoinette's portraitist, a remarkable woman living in dangerous times The foremost woman artist of her age, Elisabeth Vigée Le Brun (1755--1842) exerted her considerable charm to become the friend, and then official portraitist, of Marie Antoinette. Though profitable, this role made Vigée Le Brun a public and controversial figure, and in 1789 it precipitated her exile. In a Europe torn by strife and revolution, she nevertheless managed to thrive as an independent, self-supporting artist, doggedly setting up studios in Rome, Naples, Venice, Milan, Vienna, St. Petersburg, and London. Long overlooked or dismissed, Vigée Le Brun's portraits now hang in the Louvre, in a room of their own, as well as in all leading art museums of the world. This gripping biography tells the story of a singularly gifted and high-spirited woman during the revolutionary era and explores the development and significance of her art. The book also recounts the public and private lives of Elisabeth Vigée Le Brun, connecting  her with such personalities of her age as Catherine the Great, Napoleon, and Benjamin Franklin, and setting her experiences in the context of contemporary European politics and culture. A generous selection of illustrations, including sixteen of Vigée Le Brun's portraits presented in full color, completes this exceptional volume.

  Call Number: ND553.V5325 M39 2005

  ISBN: 0300108729

  Publication Date: 2005-10-06
• Historical Dictionary of Neoclassical Art and Architecture by Allison Lee Palmer Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s and lasting until around 1830, with late Neoclassicism lingering through the 1870s. Neoclassicism is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was, however, remarkably unified under the banner of classicism. This movement was born in Italy and France and then spread across Europe to Russia and across the ocean to the United States. The Historical Dictionary of Neoclassical Art and Architecture provides an overview of Neoclassicism, focusing on its major artists, architects, stylistic subcategories, ideas, and historical framework of the 18th century style found mainly in Europe and the United States. This is done through a chronology, an introductory essay, an extensive bibliography, and over 200 dictionary entries on famous artists, sculptors, architects, patrons, and other historical figures and events.

  ISBN: 9780810861954

  Publication Date: 2011-02-11
• Ingres, In Pursuit of Perfection by Patricia Condon; Marjorie B. Cohn; Agnes Mongan the art of J.-A.-D. Ingres : the J.B. Speed Art Museum, Louisville, Kentucky, December 6, 1983 to January 29, 1984, the Kimbell Art Museum, Fort Worth, Texas, March 3, 1984 to May 6, 1984

  Call Number: ND553.I5 A4 1983

  ISBN: 0961227605

  Publication Date: 1984-02-01
• Neoclassicism by Victoria Charles In the arts, Neoclassicism is a historical tradition or aesthetic attitude based on the art of Greece and Rome in antiquity. The movement started around the 18th-century, age of Enlightenment, and continued into the early 19th-century The general credo associated with the aesthetic attitude of Classicism was that art had to be rational and therefore morally better. Neoclassicists also believed that art should be cerebral, not sensual and therefore characterised by clarity of form, sober colours and shallow space. It was a reaction against both the surviving Baroque and Rococo styles, and a desire to return to the perceived ""purity"" of the arts of Rome. The important artists of the movement include the sculptors Antonio Canova,Jean-Antoine Houdon and Bertel Thorvaldsen, and the painters J.A.D. Ingres, Jacques-Louis David and Anton Raphael Mengs.

  ISBN: 9781644618752

  Publication Date: 2019-12-09

Featured Books and eBooks about Romanticism

• British Romanticism and the Reception of Italian Old Master Art, 1793-1840 by Maureen McCue As a result of Napoleon's campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period's political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.

  ISBN: 9781409468325

  Publication Date: 2014-11-13
• The Moment of Explosion by Stephen C. Behrendt William Blake thought that John Milton had been betrayed by both his commentators and his illustrators, and he set out to recover Milton's vision, particularly in Paradise Lost, from the misguided academic and Augustan misinterpretation to which it had been subjected. The Moment of Explosion: Blake and the Illustration of Milton is the first detailed. analysis of all of Blake's illustrations for Milton's poetry. Blake explicitly believed he was correcting errors that Milton wanted corrected, and he felt that his illustration was interpretive criticism in its highest sense, a re-vision that would broadcast Milton's revolutionary ethic afresh. Stephen C. Behrendt blends a close reading of Blake and Milton with meticulous and provocative examination of the illustrations of Blake, his predecessors, and his contemporaries. The focus on visual art as criticism establishes the book as a major essay on the interaction of the arts within and across cultural periods. Fifty-four black-and-white illustrations document that radical, Romantic assault by Blake on tradition in the name of tradition. The highlight of the book is Blake's two sets of Paradise Lost illustrations, reproduced here in twenty-four color plates--Blake's final statements on Paradise Lost and the culmination of his aesthetic and critical development. This beautiful book presents a wealth of illustration previously scattered or inaccessible. It will be of major interest to students of Blake, Milton, Romanticism, art history, and the history of ideas.

  Call Number: PR3562 .B38 1983

  ISBN: 0803211694

  Publication Date: 1983-08-01
• Romanticism by Leon Rosentlal; Berengere Mauduit (Translator) This book highlights how this movement was a true European art movement. Not only did it penetrate painting all across Europe but it also influenced literature and music. Our AC Romanticism sheds light on the internationality of this art movement and helps the reader get acquainted with the major players of this fascinating movement

  ISBN: 9781844844586

  Publication Date: 2008-06-01
• Romanticism and Caricature by Ian Haywood Ian Haywood explores the 'Golden Age' of caricature through the close reading of key, iconic prints by artists including James Gillray, George and Robert Cruikshank, and Thomas Rowlandson. This approach both illuminates the visual and ideological complexity of graphic satire and demonstrates how this art form transformed Romantic-era politics into a unique and compelling spectacle of corruption, monstrosity and resistance. New light is cast on major Romantic controversies including the 'revolution debate' of the 1790s, the impact of Thomas Paine's 'infidel' Age of Reason, the introduction of paper money and the resulting explosion of executions for forgery, the propaganda campaign against Napoleon, the revolution in Spain, the Peterloo massacre, the Queen Caroline scandal, and the Reform Bill crisis. Overall, the volume offers important new insights into the relationship between art, satire and politics in a key period of history.

  ISBN: 9781107044210

  Publication Date: 2013-10-24
• Romanticism and Realism by Charles Rosen; Henri Zerner

  Call Number: NX454.5.R6 R67 1984

  ISBN: 0670548170

  Publication Date: 1984-03-30
• Transatlantic Romanticism by Andrew Hemingway (Editor); Alan Wallach (Editor) That the Romantic movement was an international phenomenon is a commonplace, yet to date, historical study of the movement has tended to focus primarily on its national manifestations. This volume offers a new perspective. In thirteen chapters devoted to artists and writers of the late eighteenth and early nineteenth centuries, leading scholars of the period examine the international exchanges that were crucial for the rise of Romanticism in England and the United States. In the book's introduction, Andrew Hemingway?building on the theoretical work of Michael Lowy and Robert Sayre?proposes that we need to remobilize the concept of Weltanschauung, or comprehensive worldview, in order to develop the kind of synthetic history of arts and ideas the phenomenon of Romanticism demands. The essays that follow focus on the London and New York art worlds and such key figures as Benjamin West, Thomas Bewick, John Vanderlyn, Washington Allston, John Martin, J. M. W. Turner, Thomas Cole, James Fenimore Cooper, George Catlin, Edgar Allan Poe, Harriet Beecher Stowe, and Herman Melville. Taken together, these essays plot the rise of a romantic anti-capitalist Weltanschauung as well as the dialectic between Romanticism's national and international manifestations. In addition to the volume editors, contributors include Matthew Beaumont, David Bindman, Leo Costello, Nicholas Grindle, Wayne Franklin, Janet Koenig, William Pressly, Robert Sayre, William Truettner, Dell Upton, and William Vaughan.

  ISBN: 9781625341143

  Publication Date: 2015-03-30
• The Visionary Art of William Blake by Naomi Billingsley William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived.

  ISBN: 9781784539832

  Publication Date: 2018-05-10

Featured Books and eBooks about the Pre-Raphaelites

• The Art of the Pre-Raphaelites by Elizabeth Prettejohn Though always controversial in art circles, the Pre-Raphaelites have also always been extremely popular with museum goers. This accessible new study provides the most comprehensive view of the movement to date. It shows us why, a century and a half later, Pre-Raphaelite art retains its power to fascinate, haunt, and often shock its viewers. Calling themselves the Pre-Raphaelite Brotherhood, Dante Gabriel Rossetti, John Everett Millais, and William Holman Hunt produced a statement of ideas that revolutionized art practice in Victorian England. Critical of the Royal Academy's formulaic works, these painters believed that painting had been misdirected since Raphael. They and the artists who joined with them, including William Michael Rossetti, James Collinson, and Frederick George Stephens, created bright works representing nature and literary themes in fresh detail and color. Considered heretical by many and frequently admonished for a lack of grace in composition the group disbanded after only a few years. Yet its artists and ideals remained influential; its works, greatly admired. In this richly illustrated book, Elizabeth Prettejohn raises new and provocative questions about the group's social and artistic identity. Was it the first avant-garde movement in modern art? What role did women play in the Pre-Raphaelite fraternity? How did relationships between the artists and models affect the paintings? The author also analyzes technique, pinning down the distinctive characteristics of these painters and evaluating the degree to which a group style existed. And she considers how Pre-Raphaelite art responded to and commented on its time and place a world characterized by religious and political controversy, new scientific concern for precise observation, the emergence of psychology, and changing attitudes toward sexuality and women. The first major publication on the Pre-Raphaelite movement in more than fifteen years, this exquisite volume incorporates the swell of recent research into a comprehensive, up-to-date survey. It comprises well over two hundred color reproductions, including works that are immediately recognizable as Pre-Raphaelite masterpieces, as well as lesser-known paintings that expand our appreciation of this significant artistic departure.

  Call Number: ND467.5.P7 P75 2000

  ISBN: 9780691070575

  Publication Date: 2000-11-12
• Essential Pre-Raphaelites by Lucinda Hawksley

  Call Number: N6767.5.P7 H38 1999

  ISBN: 9781840845242

  Publication Date: 1999
• The Pre-Raphaelites by Robert de la Sizeranne; Andrew Byrd (Translator) This is a priceless testimony of the Pre-Raphaelite group since its author was the father of a major player of the movement. Bates work brings back to life the true spirit of the group while analysing in depth the historical roots and relationships between the artists within the group

  ISBN: 9781844844593

  Publication Date: 2008-06-01
• Pre-Raphaelites: Beauty and Rebellion by Christopher Newall Fascinating new research into Pre-Raphaelite painters and collectors in Northern England positions Liverpool as the Victorian art capital of the north in Pre-Raphaelites: Beauty and Rebellion.This catalogue accompanies the first exhibition to examine Liverpool's role in the history of the Pre-Raphaelite movement.The exhibition will be held at the Walker Art Gallery, Liverpool, from 12 February to 5 June 2016, and is being produced by National Museums Liverpool, working with thespecialist art historian Christopher Newall, whose insightful essays will feature in the book.Containing new research on Pre-Raphaelite patrons and painters in Liverpool, including the collector John Miller and the artist John Ingle Lee, the book examines the relationship between artists like Ford Madox Brown and Rossetti with their Liverpool contemporaries, collectors, and the institutionsthat welcomed them, notably the forward-thinking Liverpool Academy. It will serve as an account of an important aspect of British artistic culture in the 19th century - and yet one for which there is no previous source of information.It will also feature approximately 100 works from the exhibition.

  ISBN: 9781781383032

  Publication Date: 2016-01-26

Featured Books and eBooks about Realism

• From realism to symbolism : Whistler and his world : an exhibition by Department of Art History and Archaeology of Columbia University in the City of New York in cooperation with the Philadelphia Museum of Art

  Call Number: N6537.W4 A4 1971

  Publication Date: 1971
• Gustave Courbet by Georges Riat Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism. This text on Courbet is the result of years of intensive research and traces with great care contradictory testimonies, the praises as well as the negative critics this controversial painter had during his times. By his precision as an art historian, Georges Riat sheds new light on the work of this artist who created a real separation with the academicism of the time.

  ISBN: 9781859956861

  Publication Date: 2008-07-08
• Millet's universe by Jean-Jacques Lévêque

  Call Number: NC246.M55 L48

  Publication Date: 1975
• Realism in the Age of Impressionism by Marnin Young The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-François Raffaëlli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art. 

  ISBN: 9780300208320

  Publication Date: 2015-08-04
• Russian Realisms by Molly Brunson One fall evening in 1880, Russian painter Ilya Repin welcomed an unexpected visitor to his home: Lev Tolstoy. The renowned realists talked for hours, and Tolstoy turned his critical eye to the sketches in Repin's studio. Tolstoy's criticisms would later prompt Repin to reflect on the question of creative expression and conclude that the path to artistic truth is relative, dependent on the mode and medium of representation. In this original study, Molly Brunson traces many such paths that converged to form the tradition of nineteenth-century Russian realism, a tradition that spanned almost half a century--from the youthful projects of the Natural School and the critical realism of the age of reform to the mature masterpieces of Tolstoy, Fyodor Dostoevsky, and the paintings of the Wanderers, Repin chief among them. By examining the classics of the tradition, Brunson explores the emergence of multiple realisms from the gaps, disruptions, and doubts that accompany the self-conscious project of representing reality. These manifestations of realism are united not by how they look or what they describe, but by their shared awareness of the fraught yet critical task of representation. By tracing the engagement of literature and painting with aesthetic debates on the sister arts, Brunson argues for a conceptualization of realism that transcends artistic media. Russian Realisms integrates the lesser-known tradition of Russian painting with the familiar masterpieces of Russia's great novelists, highlighting both the common ground in their struggles for artistic realism and their cultural autonomy and legitimacy. This erudite study will appeal to scholars interested in Russian literature and art, comparative literature, art history, and nineteenth-century realist movements.

  ISBN: 9780875807386

  Publication Date: 2016-09-10

Featured Books and eBooks about Impressionism

• American Impressionism and Realism by H. Barbara Weinberg

  Call Number: ND210.5.I4 W456 1994

  ISBN: 0870997017

  Publication Date: 1994-04-01
• Claude Monet by Nina Kalitina For Monet, the act of creation was always a painful struggle. His obsession to express emotions and to transmit light effects over nature was much more intense than his contemporaries. In his words: "Skills come and go... Art is always the same: a transposition of Nature that requests as much will as sensitivity. I strive and struggle against the sun...should as well paint with gold and precious stones."

  ISBN: 9781844849024

  Publication Date: 2011-06-01
• Degas, Impressionism, and the Paris Millinery Trade by Simon Kelly; Esther Bell Filled with beautiful works by Edgar Degas, Mary Cassatt, and other Impressionist painters, this richly illustrated book showcases artistic portrayals of France's millinery trade during the Belle Époque. Filled with beautiful works by Edgar Degas, Mary Cassatt, and other Impressionist painters, this richly illustrated book showcases artistic portrayals of France's millinery trade during the Belle Époque. Though best known for his depictions of dancers and bathers, Edgar Degas repeatedly returned to the subject of millinery over the course of three decades. In masterpieces such as The Millinery Shop (1879-86) and The Milliners (ca. 1898), he captured scenes of milliners fashioning and women wearing elaborate, colorful hats. Featuring sumptuous paintings, pastels, and preparatory drawings by Degas, Cassatt, Manet, Renoir, and Toulouse-Lautrec, among others, this generously illustrated book surveys the millinery industry of 19th-century Paris. Peppered throughout with photographs, posters, and prints of French hats, this book includes essays that explore Degas's particular interest in the millinery trade; the tension between modern fashion and reverence for history and the grand art-historical tradition; a chronicle of Parisian milliners from Caroline Reboux to Coco Chanel; and examples of how the millinery trade is depicted in literature. Brilliantly linking together the worlds of industry, art, and fashion, this groundbreaking book examines the fundamental role of hats and hat-makers in 19th-century culture.

  Call Number: N8217.H34 D44 2017

  ISBN: 9783791356211

  Publication Date: 2017-03-30
• Impressionism by Nathalia Brodskaïa Just before his death, Claude Monet wrote: "I'm still sorry to have been the cause of the name given to this group, most of whom were not in the least bit impressionistic". Starting with this paradox - an ensemble that saw itself as a coherent group, while affirming artistic individuality as the ultimate goal - the author, Nathalia Brodskaïa, explores the contradictions of late nineteenth-century art. Was it not Manet who evoked the definitive formula: "I paint what I see and not what others want to see" ? There would be a long way to go before the world recognised the difference between traditional, academic art and the birth of modern, non-figurative painting. After analysing the essential elements of the Impressionist movement, Nathalia Brodskaïa pursues, across the oeuvre of each of the main players, the search for "that conviction they had, of justice in their principles and value in their art". From this assertion of difference, modern painting was born.

  ISBN: 9781785251856

  Publication Date: 2018-04-11
• Impressionism and Post-Impressionism by Nathalia Brodskaia Impressionism is the most popular art movement among museum-goers. But that which may now seem delightful and rather inoffensive landscape painting was in truth one of the first avant-garde movements, whose members decided to act as a group in order to more effectively combat traditional art values. The Impressionist's plein airpaintings shocked the public for their technique as much as for their apparent banality. But while Monet, Sisley, Pissarro, and others sought to capture light's fleeting nature, the following generation would go on to reject naturalism. Post-Impressionists such as Gauguin, Van Gogh, Cezanne, and Seurat would favour the subjective over the objective, the timeless over the concrete. In so doing, they paved the formal grounds on which 20th century modern art would grow. This Essential volume is a visual guide through these crucial moments in art history and of the 19th century's unrelenting advance towards modernity.

  ISBN: 9781783101443

  Publication Date: 2018-09-01
• Origins of Impressionism by Gary Tinterow; Henri Loyrette This is a catalogue of an exhibition in 1994 at The Metropolitan Museum of Art, New York. It explores the interactions and relationships among the group of painters who became known as the Impressionists, focusing on the years from 1859 to 1870.

  Call Number: ND547.5.I4 L6913 1994

  ISBN: 0810964856

  Publication Date: 1994-09-01

Featured Books and eBooks about Post-Impressionism

• Great French Paintings from the Barnes Foundation by Barnes Foundation Staff; Carolyn B. Mitchell 320 illustrations, 151 in full-color, with 16 pages of fold-outs

  Call Number: ND547.5.I4 G69 1993

  ISBN: 0679409637

  Publication Date: 1993-04-27
• Paul Cézanne by Jane Bingham In the words of Matisse and Picasso, Paul Cézanne was the'father of us all', his approach to color and perspective paving the way for later modernist art movements such as Cubism and Expressionism, as he moved beyond the figurative tradition and towards abstraction. This book charts Cézanne's journey as an artist, his involvement with the Impressionist movement and his importance as a leading Post-Impressionist. It explores the places where he lived and worked, his personal life and friendships, and the artistic influences that helped to shape his remarkable vision of the world. This biographical detail is set alongside a selection of his brilliant paintings, allowing you to trace the evolution of his artwork. ABOUT THE SERIES: The Great Artists series by Arcturus Publishing introduces some of the most significant artists of the past 150 years, looking at their lives, techniques and inspirations, as well as presenting a selection of their best work.

  ISBN: 9781838577612

  Publication Date: 2019
• Post-Impressionism by Nathalia Brodskaïa The Post-Impressionist period was one of solitary painters; Gauguin, Sisley, Cézanne, Van Gogh etc... "There is no longer a unique school. There are a few groups, but even they break up constantly. All these movements remind me of moving geometrical pieces in a kaleidoscope, which separate suddenly only to better come together again. They move apart then get together, but, nevertheless, stay in the same circle - the circle of the new art." (Emile Verhaeren). Nathalia Brodskaïa, curator at the State Hermitage Museum, describes with her own unsurpassed talent the different paths taken by the heirs of Impressionism towards Modern Art.

  ISBN: 9781785256585

  Publication Date: 2018-04-11
• Post-Impressionism by Nathalia Brodskaia While Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist's theory of colours into tiny points that created an entire image. With his heavy strokes,Van Gogh illustrated the midday sun, while Cézanne renounced perspective. Rich in its variety and in the singularity of its artists, Post-Impressionism was a passage taken by all the well-known figures of 20th century painting, and which is here presented, for the great pleasure of the reader, by Nathalia Brodskaïa.  

  ISBN: 9781844847464

  Publication Date: 2010-05-30
• The Post Impressionists by Richard Shone

  Call Number: N6465.P6 S54

  ISBN: 0706410939

  Publication Date: 1979
• Vincent Van Gogh by Vincent van Gogh The incarnation of the myth of a cursed artist, Vincent van Gogh (1853-1890) is a legend who became a reference for modern art. An Expressionist during the Post-Impressionist movement, his art was misunderstood during his lifetime. In Holland, he partook in the Dutch realist painting movement by studying peasant characters. Anxious and depressed, Vincent van Gogh produced more than 2000 artworks, yet sold only one in his lifetime. A self-made artist, his work is known for its rough and emotional beauty and is amongst the most popular in the art market today.

  ISBN: 9781783101276

  Publication Date: 2014-04-01

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