Art and Design

• Art and Archaeology by Andrew Cochrane (Editor); Ian Alden Russell (Editor) This volume presents a collection of interdisciplinary collaborations between contemporary art, heritage, anthropological, and archaeological practitioners. Departing from the proceedings of the Sixth World Archaeological Congress's 'Archaeologies of Art' theme and Ábhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theory to the practice of archaeology. Art and archaeology: collaborations, conversations, criticisms encourages the creative interplay of various approaches to 'art' and 'archaeology' so these new modes of expression can contribute to how we understand the world. Established topics such as cave art, monumental architecture and land art will be discussed alongside contemporary video art, performance art and relational arts practices. Here, the parallel roles of artists as makers of new worlds and archaeologists as makers of pasts worlds are brought together to understand the influences of human creativity.

  ISBN: 9781461489894

  Publication Date: 2013-11-19
• Cave of Lascaux by Mario Ruspoli

  Call Number: N5310.5.F7 R86 1987

  ISBN: 0810912678

  Publication Date: 1987-05-01
• Dawn of Art by Jean-Marie Chauvet; Eliette Brunel Deschamps; Christian Hillaire An intriguing study of the early evolution of human artistic endeavors focuses on recent discoveries in the Chauvet cave, Stone Age paintings and engravings of animals that are more than thirty thousand years old. BOMC Div. Natural Science Main.

  Call Number: N5310.5.F7 C4713 1996

  ISBN: 0810932326

  Publication Date: 1996-03-30
• Image and Audience by Richard Bradley There have been many accounts of prehistoric "art", but nearly all of them begin by assuming that the concept is a useful one. In this extensively illustrated study, Richard Bradley asks why ancient objects were created and when and how they were used. He considers how the first definitions ofprehistoric artworks were made, and the ways in which they might be related to practices in the visual arts today. Extended case studies of two immensely popular and much-visited sites illustrate his argument: one considers the megalithic tombs of Western Europe, whilst the other investigates thedecorated metalwork and rock carvings of Bronze Age Scandinavia.

  ISBN: 9780199533855

  Publication Date: 2009-05-03
• Prehistoric Art As Prehistoric Culture by Primitiva Bueno-Ramírez (Editor); Paul Bahn (Editor) Professor Rodrigo de Balbín has played a major role in advancing our knowledge of Palaeolithic art, and the occasion of his retirement provides an excellent opportunity to assess the value of prehistoric art studies as a factor in the study of the culture of those human groups which produced this imagery. The diverse papers in this volume, published in Professor de Balbín's honour, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere. The result is a new and more realistic assessment of the social and symbolic framework of human groups from 40,000 BP onwards.

  ISBN: 9781784912222

  Publication Date: 2015-11-30
• Prehistoric rock art in Scandinavia : agency and environmental change by Courtney Nimura Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and reexamines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyze the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities. Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.

  ISBN: 9781785701207

  Publication Date: 2016

• Atlas of Egyptian Art by E. Prisse D'Avennes This volume has a dual value; it is a collection of delicate portrayals of ancient Egyptian art, architectural features and sculpture, while also providing an insight into the work of Prisse d'Avennes, a 19th-century Egyptologist who was ahead of his time in realizing the need to record such vulnerable monuments - in a period when the camera had not fully developed, painting and sketches were the only way of doing this. In addition to the colour illustrations, the book includes notes to the plates and an introduction describing the life and work of the author.

  ISBN: 9789774245848

  Publication Date: 2000-12-31
• Egypt and the Ancient Near East by Metropolitan Museum of Art (New York, N.Y.) Staff (Contribution by)

  Call Number: N5345 .M48 1987

  ISBN: 0870994131

  Publication Date: 1987-01-01
• Egyptian Art by Jean Capart; Elie Faure; Victoria Charles Egyptian art is perhaps the most impersonal that exists. The artist effaces himself. But he has such an innate sense of life, a sense so directly moved and so limpid that everything of life which he describes seems defi ned by that sense, to issue from the natural gesture, from the exact attitude, in which one no longer sees stiffness. His impersonality resembles that of the trees bowing in the wind with a single movement and without resistance, or that of the water which wrinkles into equal circles all moving in the same direction. From afar, Egyptian art seems changeless and forever like itself. From nearby, it offers, like that of all the other peoples, the spectacle of great evolutions, of progress toward freedom of expression, of researches in imposed hieratism. Egypt is so far from us that it all seems on the same plane. One forgets that there are fi fteen or twenty centuries, the age of Christianity -- between the "Seated Scribe" and the great classic period, twentyfive or thirty centuries, fi fty, perhaps -- twice the time that separates us from Pericles and Phidias -- between the pyramids and the Saite school, the last living manifestation of the Egyptian ideal. Egypt died of her need of eternity.

  ISBN: 9781644618738

  Publication Date: 2019-12-09
• Egyptian Art by Maspero First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

  ISBN: 9780710308993

  Publication Date: 2005-09-28
• Pharaohs and Mortals by Fitzwilliam Museum Staff; Janine Bourriau (Compiled by)

  Call Number: N5336.G7 C3634 1988

  ISBN: 0521358469

  Publication Date: 1988-04-14

• Ancient Greek Art and European Funerary Art by Evangelia Georgitsoyanni, Editor This book charts a significant aspect of European heritage: cemeteries. Cemeteries are nowadays considered as formal cultural sites and open-air museums attracting a great number of visitors; while cemetery records, memorial monuments, epitaph inscriptions and symbols provide useful data, attracting the interest of an increasing number of scholars from various disciplines and backgrounds. This collective volume consists of selected papers, presented at the ASCE (Association of Significant Cemeteries in Europe) Conference: “Ancient Greek Art and European Funerary Art” organized by the Harokopio University of Athens-Greece on October 5-7 2017, aiming to highlight various cultural aspects of cemeteries. The authors present funerary art and its classical origin, investigate theoretical and historical approaches, plan cultural and educational routes, design technological applications concerning the use of cemeteries as cultural sites, and propose multiple ways for promoting cemetery heritage and public engagement; while the majority of the papers is based on field and archival research and is accompanied by original images. The multicultural character of death heritage is highlighted through the variety of case-studies presented in this volume, introducing different perspectives and interpretations on art, history, heritage and cultural tourism, laying the groundwork for the public discussion on our common heritage as appeared in cemeteries, appealing to both the wider public and the academic community.

  ISBN: 9781527543768

  Publication Date: 2019
• The Ancient View of Greek Art by J. J. Pollitt What did the ancient Greeks think about their own art?  J.J. Pollitt attempts to answer this question by studying the critical terminology of the ancient Greeks-the terms they used to describe and evaluate sculpture, painting, and architecture.   Although Greeks and Romans with a wide variety of backgrounds and interests-including artists, philosophers, rhetoricians, historians, and guidebook writers-wrote about art in antiquity, very few of their works have survived.  Mr. Pollitt has therefore had to draw largely on works of authors who, while discussing some other subject, make passing references to art for the purpose of analogy or illustration.  By carefully assembling and organizing these fragments, he presents a coherent view of art criticism in ancient Greece.   This study is divided into two parts.  The first part provides a general history of Greek art criticism and its sources.  The second is an extensive glossary which collects, translates, and analyzes passages from Greek and Latin authors in which important critical terms are used.  The book can therefore be used by art historians and classicists as both a scholarly text and an important work of reference.   

  Call Number: N7476 .P64

  ISBN: 0300015976

  Publication Date: 1974-01-01
• Artists and Artistic Production in Ancient Greece by Peter Schultz (Editor); Kristin Seaman (Editor) Greek artists and architects were important social agents who played significant roles in the social, cultural, and economic life of the ancient Greek world. In Artists and Artistic Production in Ancient Greece, art historians, archaeologists, and historians explore the roles and impacts of artists and craftsmen in ancient Greek society. The contributing authors draw upon artistic, architectural, literary, epigraphical, and historical evidence to discuss a range of artists, architects, artistic media, and regions. They refer to historiography and modern theory, taking stock of the past while offering some new directions for future research. Incorporating a variety of methodological approaches and making use of often-neglected evidence, Artists and Artistic Production in Ancient Greece re-examines many long-held ideas and provides a deeper understanding of particular artists and architects, their works, and their social agency.

  ISBN: 9781107074460

  Publication Date: 2017-06-09
• From Pasture to Polis by Susan Langdon (Editor); Jeffrey Hurwit (Contribution by)

  Call Number: NK670 .F76 1993

  ISBN: 0826209289

  Publication Date: 1993-10-01
• Greek Art by Elie Faure; Klaus H. Carl Greek art, at the very moment that it was breaking up in depth, was scattering over the whole material surface of Hellenic antiquity. After the movement of concentration that had brought to Athens all the forces of Hellenism, a movement of dispersal began, which was to carry from Athens to southern Italy, to Sicily, to Cyrenaica, Egypt, the Islands, and Asia Minor the passion and, unfortunately, the mania, for beautiful things--in default of creative genius. Dilettantism and the diffusion of taste multiply and at the same time weaken talent. It is the Hellenistic period, perhaps the richest in artists and in works of art that history has to show, but possibly, also, one of the poorest in power of emotion.The ideal of the Greek is wisdom. He also has a strong feeling for what is just, but what is beautiful and what is true is to the same degree the object of his passion. He finds in each of these ideas the echoes of the other two, and completes, tempers, and broadens each one through the others. Phidias is in Pythagoras, and Socrates is in Phidias.The "Greek miracle" was necessary. The whole ancient world had prepared, had willed its coming. During the fruitful silence when the Dorians were "accumulating within themselves the strength of their soil, Egypt and Assyria kept their lead. But they were discouraged and stricken by the cold of age. They were to become the initiators of the Hellenic Renaissance, as they had been the guides for the childhood of the peoples of the Archipelago. Greek Art, the perfume of the Greek soul, is preserved until our time, through Pompeii.

  ISBN: 9781644618745

  Publication Date: 2019-12-09
• The Greek Vase by John H. Oakley Presents a beautifully illustrated account of Ancient Greek vases and their role in human culture. This richly illustrated volume offers a fascinating introduction to ancient Greek vases for the general reader. It presents vases not merely as beautiful vessels to hold water and wine, but also as instruments of storytelling and bearers of meaning. The first two chapters analyze the development of different shapes of pottery and relate those shapes to function, the evolution in vase production techniques and decoration, and the roles of potters, painters, and their workshops. Subsequent chapters focus on vases as the primary source of imagery from ancient Greece, offering unique information about mythology, religion, theater, and daily life. The author discusses how to identify the figures and scenes depicted in vase paintings, what these narratives would have meant to the people who lived with them and used them, and how they therefore reflect the cultural values of their time. Also examined is the impact Greek vases had on the art, architecture, and literature of subsequent generations. Based on the rich collections of the British Museum and the J. Paul Getty Museum, the exquisite details of the works offer the reader the opportunity for an intimate interaction with the graphic beauty and narrative power of ancient vases often not available in a gallery setting.

  Call Number: NK4645 .O23 2013

  ISBN: 9781606061473

  Publication Date: 2013-10-01
• Visual Power in Ancient Greece and Rome by Tonio Hölscher Visual culture was an essential part of ancient social, religious, and political life. Appearance and experience of beings and things was of paramount importance. In Visual Power in Ancient Greece and Rome, Tonio Hölscher explores the fundamental phenomena of Greek and Roman visual culture and their enormous impact on the ancient world, considering memory over time, personal appearance, conceptualization and representation of reality, and significant decoration as fundamental categories of art as well as of social practice. With an emphasis on public spaces such as sanctuaries, agora and forum, Hölscher investigates the ways in which these spaces were used, viewed, and experienced in religious rituals, political manifestations, and social interaction.

  ISBN: 9780520294936

  Publication Date: 2018-06-22

• Animals in Roman Life and Art by Jocelyn M. Toynbee Romans clearly loved their pets and gave them human names. The wealthiest kept gazelles and ibex on their estates as living lawn ornaments. At the same time, they imported exotic animals from Africa and then slaughtered them in both gladiatorial combat and cold-blooded spectacle. Animals in Roman Life and Art explores animals in Roman iconography, Roman knowledge - both factual and fanciful - about various fauna, and Roman use of animals for food, clothing, transport, war, entertainment, religious ceremony, and companionship. Arranged by species, J.M.C Toynbee's magisterial survey ranges from the exotic (the rhinoceros and hippopotamus) to the commonplace (dogs and cats). Toynbee concludes her study with a discussion of Roman beliefs about animals in the afterlife, where, according to Virgil, "the herds will not fear the mighty lion" and "the timid deer will ... drink beside the hounds".

  Call Number: QL87 .T68

  ISBN: 0801407850

  Publication Date: 1973-09-01
• Art in Roman Britain by Jocelyn M.C. Toynbee

  Call Number: N5843 .T6 1963

  Publication Date: 1963
• Greek Myths in Roman Art and Culture by Zahra Newby Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.

  ISBN: 9781107072244

  Publication Date: 2016-09-15
• A History of Roman Art by Steven L. Tuck A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world. Extensively illustrated with 375 color photographs and line drawings Broadly defines Roman art to include the various cultures that contributed to the Roman system Focuses throughout on the overarching themes of Rome's cultural inclusiveness and art's important role in promoting Roman values Discusses a wide range of Roman painting, mosaic, sculpture, and decorative arts, as well as architecture and associated sculptures within the cultural contexts they were created and developed Offers helpful and instructive pedagogical features for students, such as timelines; key terms defined in margins; a glossary; sidebars with key lessons and explanatory material on artistic technique, stories, and ancient authors; textboxes on art and literature, art from the provinces, and important scholarly perspectives; and primary sources in translation A book companion website is available at www.wiley.com/go/romanart with the following resources: PowerPoint slides, glossary, and timeline Steven Tuck is the 2014 recipient of the American Archaeological Association's Excellence in Undergraduate Teaching Award.

  ISBN: 9781118885413

  Publication Date: 2014-12-04
• The Hunchback in Hellenistic and Roman Art by Lisa Trentin The subject of deformity and disability in the ancient Greco-Roman world has experienced a surge in scholarship over the past two decades. Recognizing a vast, but relatively un(der)explored, corpus of evidence, scholars have sought to integrate the deformed and disabled body back into our understanding of ancient society and culture, art and representation. The Hunchback in Hellenistic and Roman Art works towards this end, using the figure of the hunchback to re-think and re-read images of the 'Other' as well as key issues that lie at the very heart of ancient representation. The author takes an art-historical approach, examining key features of the corpus of hunchbacks, as well as representations of the deformed and disabled more generally. This provides fertile ground for a re-assessment of current, and likewise marginalized, scholarship on the miniature in ancient art, hyperphallicism in ancient art, and the emphasis on the male body in ancient art.

  ISBN: 9781780938561

  Publication Date: 2015-06-18
• I, Claudia: Women in Ancient Rome by Diana E. Kleiner; Susan B. Matheson A comprehensive study of the lives of Roman women as revealed in Roman art. It concentrates on the evidence provided by portraits, reliefs, wall-paintings, architecture and decorative arts. The catalogue entries describe more than 180 works, and seven essays-by Natalie Kampen, Klaus Fitschen, Andrew Wallace-Hadrill, Susan Treggiari and others-discuss gender theory, portraits of empresses and princesses, the portrayal of women as goddesses and women's roles in society, the home, literature and artistic patronage.

  Call Number: N5763 .I25 1996

  ISBN: 0894670751

  Publication Date: 1996-01-01
• Ornament and Figure in Graeco-Roman Art by Nikolaus Dietrich (Editor); Michael Squire (Editor) How does 'decoration' work? What are the relations between 'figurative' and 'ornamental' modes? And how do such modern western distinctions relate to other critical traditions? While these questions have been much debated among art historians, our book offers an ancient visual cultural perspective. On the one hand, we argue, Greek and Roman materials have proved instrumental in shaping modern assumptions. On the other hand, those ideologies are fundamentally removed from ancient ideas: an ancient perspective can therefore shed light on larger aesthetic debates about what images are - or indeed what they should be. This anthology of specially commissioned essays explores a variety of case studies (both literary and art historical alike): it discusses materials from across the ancient Mediterranean, and from Geometric art all the way through to late antiquity; the book also tackles questions of 'figure' and 'ornament' in relation to different media - including painting, free-standing statues, relief sculpture, mosaics and architecture. A particular feature of the volume lies in bringing together different national academic traditions, building a bridge between formalist approaches and broader cultural historical perspectives.

  ISBN: 9783110460155

  Publication Date: 2018-03-19

• Art and Identity in Thirteenth-Century Byzantium by Antony Eastmond The church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (1238-63) in the aftermath of the fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine imperial monument of its period. Art and Identity in Thirteenth-Century Byzantium is the first investigation of the church in more than thirty years, and is extensively illustrated in colour and black-and-white, with many images that have never previously been published. Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last twenty years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and raises questions of cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia. This study uses the church and its decoration to examine questions of Byzantine identity and imperial ideology in the thirteenth century. This is central to any understanding of the period, as the fall of Constantinople in 1204 divided the Byzantine empire and forced the successor states in Nicaea, Epiros and Trebizond to redefine their concepts of empire in exile. Art is here exploited as significant historical evidence for the nature of imperial power in a contested empire. It is suggested that imperial identity was determined as much by craftsmen and expectations of imperial power as by the emperor's decree; and that this was a credible alternative Byzantine identity to that developed in the empire of Nicaea.

  ISBN: 9781351957229

  Publication Date: 2017-03-02
• Byzantine Art by Robin Cormack The opulence of Byzantine art, with its extravagant use of gold and silver, is well known. Highly skilled artists created powerful representations reflecting and promoting this society and its values in icons, illuminated manuscripts, and mosaics and wallpaintings placed in domed churches andpublic buildings. This complete introduction to the whole period and range of Byzantine art combines immense breadth with interesting historical detail.Robin Cormack overturns the myth that Byzantine art remained constant from the inauguration of Constantinople, its artistic centre, in the year 330 until the fall of the city to the Ottomans in 1453. He shows how the many political and religious upheavals of this period produced a wide range ofstyles and developments in art. This updated, colour edition includes new discoveries, a revised bibliography, and, in a new epilogue, a rethinking of Byzantine Art for the present day.

  ISBN: 9780198778790

  Publication Date: 2018-05-08
• Byzantine Art and Diplomacy in an Age of Decline by Cecily J. Hilsdale The Late Byzantine period (1261-1453) is marked by a paradoxical discrepancy between economic weakness and cultural strength. The apparent enigma can be resolved by recognizing that later Byzantine diplomatic strategies, despite or because of diminishing political advantage, relied on an increasingly desirable cultural and artistic heritage. This book reassesses the role of the visual arts in this era by examining the imperial image and the gift as reconceived in the final two centuries of the Byzantine Empire. In particular it traces a series of luxury objects created specifically for diplomatic exchange with such courts as Genoa, Paris and Moscow alongside key examples of imperial imagery and ritual. By questioning how political decline refigured the visual culture of empire, Cecily J. Hilsdale offers a more nuanced and dynamic account of medieval cultural exchange that considers the temporal dimensions of power and the changing fates of empires.

  ISBN: 9781107033306

  Publication Date: 2014-02-20
• Byzantine Art in the Making by Ernst Kitzinger

  Call Number: N6250 .K58

  ISBN: 0674089553

  Publication Date: 1977-01-01
• Byzantine Mosaic Decoration by Otto Demus

  Call Number: NA3780 .D39 1976

  ISBN: 0892410183

  Publication Date: 1993-01-01
• A Companion to Byzantine Illustrated Manuscripts by Vasiliki Tsamakda (Volume Editor) This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became "emissaries" of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including both secular and religious manuscripts, and analyses which texts were illustrated in Byzantium, and how. Contributors are Justine M. Andrews, Leslie Brubaker, Annemarie W. Carr, Elina Dobrynina, Maria Evangelatou, Maria Laura Tomea Gavazzoli, Markos Giannoulis, Cecily Hennessy, Ioli Kalavrezou, Maja Kominko, Sofia Kotzabassi, Stavros Lazaris, Kallirroe Linardou, Vasileios Marinis, Kathleen Maxwell, Georgi R. Parpulov, Nancy P. Sevčenko, Jean-Michel Spieser, Mika Takiguchi, Courtney Tomaselli, Marina Toumpouri, Nicolette S. Trahoulia, Vasiliki Tsamakda, and Elisabeth Yota.

  ISBN: 9789004343184

  Publication Date: 2017-06-21

• Art in England by Sara N. James Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of continuity, patterns of intention and unique qualities that run through English art of the medieval millennium. By placing the English movement in a European context, this book brings to light many ingenious innovations that focused studies tend not to recognize and offers a fresh look at the movement as a whole. The media studied include architecture and related sculpture, both ecclesiastical and secular; tomb monuments; murals, panel paintings, altarpieces, and portraits; manuscript illuminations; textiles; and art by English artists and by foreign artists commissioned by English patrons.

  ISBN: 9781785702235

  Publication Date: 2016-09-19
• Art in Spain and Portugal from the Romans to the Early Middle Ages by Rose Walker For generations maps of the pilgrimage roads and of the reconquista have bedevilled the study of Spanish art and architecture. They have also infiltrated the popular imagination and come to dominate the ways we think about Spain and Portugal. Art in Spain and Portugal from the Romans to the Early Middle Ages: Routes and Myths sets out to diminish the power of these images and to enrich the wider English-language literature on early medieval art. Starting with the Romans and working through the vertical layers to the early Romanesque period Rose Walker draws together scholarly work hitherto confined within disciplinary boundaries, specialist regional studies, and findings familiar only to Spanish-speaking audiences. The author builds on these studies and her own research to present narratives that question art historical and archaeological orthodoxies. New perspectives emerge from the routes along which wealth and artistic expertise crossed the peninsula, showing the endurance of the north-south axis and the strength of networks and pragmatic alliances that often operated without regard for religious difference.

  ISBN: 9789089648600

  Publication Date: 2016-06-17
• Cosmos and Community in Early Medieval Art by Benjamin Anderson In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states--the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.

  ISBN: 9780300219166

  Publication Date: 2017-02-28
• Early Medieval Art by Lawrence Nees The first millennium saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals.Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles of artistic creation. He discusses early Christian art within the late Roman tradition, and the arts of the newly established kingdoms ofnorthern Europe not as opposites, but as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe, restoring a previously marginalized subject to a central status in ourartistic and cultural heritage.

  Call Number: N5970 .N44 2002

  ISBN: 0192842439

  Publication Date: 2002-07-18
• Early Medieval Art : Carolingian, Ottonian, Romanesque by John Beckwith

  Call Number: N5970 .B4 1974

  ISBN: 0195199227

  Publication Date: 1964-01-01
• Fifty Early Medieval Things by Deborah Deliyannis; Hendrik Dey; Paolo Squatriti Fifty Early Medieval Things introduces readers to the material culture of late antique and early medieval Europe, north Africa, and western Asia. Ranging from Iran to Ireland and from Sweden to Tunisia, Deborah Deliyannis, Hendrik Dey, and Paolo Squatriti present fifty objects--artifacts, structures, and archaeological features--created between the fourth and eleventh centuries, an ostensibly "Dark Age" whose cultural richness and complexity is often underappreciated. Each thing introduces important themes in the social, political, cultural, religious, and economic history of the postclassical era. Some of the things, like a simple ard (plow) unearthed in Germany, illustrate changing cultural and technological horizons in the immediate aftermath of Rome's collapse; others, like the Arabic coin found in a Viking burial mound, indicate the interconnectedness of cultures in this period. Objects such as the Book of Kells and the palace-city of Anjar in present-day Jordan represent significant artistic and cultural achievements; more quotidian items (a bone comb, an oil lamp, a handful of chestnuts) belong to the material culture of everyday life. In their thing-by-thing descriptions, the authors connect each object to both specific local conditions and to the broader influences that shaped the first millennium AD, and also explore their use in modern scholarly interpretations, with suggestions for further reading. Lavishly illustrated and engagingly written, Fifty Early Medieval Things demonstrates how to read objects in ways that make the distant past understandable and approachable.

  ISBN: 9781501725890

  Publication Date: 2019-03-15
• Sea Monsters on Medieval and Renaissance Maps by Chet Van Duzer The sea monsters on medieval and Renaissance maps, whether swimming vigorously, gamboling amid the waves, attacking ships, or simply displaying themselves for our appreciation, are one of the most visually engaging elements on these maps, and yet they have never been carefully studied. The subject is important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the "marvelous" and of western conceptions of the ocean. Moreover, the sea monsters depicted on maps can supply important insights into the sources, influences, and methods of the cartographers who drew or painted them. In this highly-illustrated book the author analyzes the most important examples of sea monsters on medieval and Renaissance maps produced in Europe, beginning with the earliest mappaemundi on which they appear in the 10th century and continuing to the end of the 16th century.

  Call Number: GA781 .V36 2013

  ISBN: 9780712358903

  Publication Date: 2013-05-10

• The Art of Gothic: Architecture, Sculpture, and Painting by Rolf Toman

  Call Number: N6310 .A78 1999

  ISBN: 3829017413

  Publication Date: 1998-01-01
• Gothic Art by Victoria Charles; Klaus Carl Gothic art finds its roots in the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over more than 200 years.Leaving curved Roman forms behind, the architects started using flying buttresses and pointed arches to open up cathedrals to daylight. A period of great economic and social change, the Gothic era also saw the development of a new iconography celebrating the Holy Mary - in drastic contrast to the fearful themes of dark Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and International Gothic movement.

  ISBN: 9781781602249

  Publication Date: 2016-03-09
• Gothic Art by Michael Camille

  Call Number: N6310 .C36 1996

  ISBN: 0810927012

  Publication Date: 1996-09-01
• The Gothic Idol: Ideology and Image-making in Medieval Art by Michael Camille By examining the theme of idol-worship in medieval art, this book reveals the ideological basis of paintings, statues and manuscript illuminations that depict the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds light on how medieval society viewed both alien 'others' and itself. He links the abhorrence of worshipping false gods in images to an 'image-explosion' in the thirteenth century when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the Gothic style. In attempting to bring the Gothic image to life, Camille shows how images can teach us about attitudes and beliefs in a particular society.

  Call Number: BV153.E85 C35 1989

  ISBN: 0521340403

  Publication Date: 1989-10-27
• Gothic Legacies by Laura Cleaver; Ayla Lepine As this exciting contribution to interdisciplinary studies in the arts shows, the art and architecture of the Middle Ages were reworked, reframed and reinterpreted in diverse ways from as early as the sixteenth century. In addition, the definition of Gothic art and architecture was used, questioned, and challenged in a range of literature from the Renaissance onwards. The diverse essays in Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture demonstrate that the Gothic spirit manifested itself in many visual forms, including furniture, set design, cathedrals, book illustration, and urban architecture. Edited by Laura Cleaver and Ayla Lepine, Gothic Legacies showcases new research by scholars who are united by an interest what Gothic could mean in particular contexts, and how it was used across different periods, cultures, and media. The book's twelve essays are divided into thematic sections, which identify recurring themes in discussions of the Gothic. The authors explore debates around the understanding and use of spolia and ideas about heritage, the relationships between Gothic art and literature, and the invocation of concepts of the Gothic in opposition to other categorisations (notably Classicism and Modernism). In doing so they shed light on rich dialogues between the present and the past (real or imagined). Featuring interdisciplinary and international contributions from medieval and modern period scholars with fresh academic perspectives, this volume constitutes a valuable resource for anyone with an interest in how and why the art of the Middle Ages was to play such an important role in forming and revising personal, national, and international identities in subsequent works of art and architecture.

  ISBN: 9781443837408

  Publication Date: 2012-05-01